Category Archives: Video

3M+DS106+P2PL=OER14+M2M

 

At the end of April 2014 I’ll be attending the industry’s largest global M2M (Machine to Machine) conference in London as part of my strategic analyst job at 3M. But what’s that got to do with DS106 or OER14? And what’s with that P2PL in this post’s title? Let me explain.

At 3M I get paid to study companies and technologies relevant to the Electronics and Energy business group that I work in. That’s how I discovered DS106. I was asked to look into this new phenomenon called MOOCs and see if there was anything of interest for the group.  What I eventually learned was that DS106 was no MOOC. But it was, at its best, a peer-to-peer learning (P2PL) experiment where we learn from and teach one another skills that can help us to maneuver and communicate more effectively in the social media and digital world. Dare I say it? …by playing and having lots of fun in the process.

3M-DS106-GoldGuys_ShakeHands-4My initial foray in the summer of 2013 into the open on-line Digital Story telling course DS106 out of University Mary Washington, led me to organize an internal version of the “course” at 3M (3M-D106) to run in parallel with the loosely organized DS106 “Headless 13” session (Aug 26th thru Dec 13, 2013). My intention was to modify the open on-line course materials and methodology for use behind the 3M Firewall to help myself and my fellow technical 3Mers become more fluent with the digital communication platforms provided by 3M.  There is a need and expressed desire to improve the effectiveness of our communication, especially with our global colleagues.

3M-DS106 Final Project:

As a final project for 3M-DS106 I created a short video of participant experiences. “3M-DS106 is Open For Business”

yu garden cropped

Bill Dower 3M-DS106 Participant

To make it easy and time efficient for scheduling and editing I recorded Skype conversations from five participants, then reduced 3+ hours of audio down to 8 minutes using GarageBand 11 on my Mac. Achieving a logical flow to the storyline of the audio was a bit of a challenge. I had originally intended to break it into sections with snippets from each person, but that turned out to be too choppy and disjointed. Organizing by person provided a better overall feel to the audio.  But I did choose specific topics to emphasize and made sure to include important points each interviewee themselves was emphasizing during our conversation: Like the concept of having tools in your tool box, participants teaching and learning from one another (the P2PL (peer-to-peer learning) reference in the title), and Bill Dower’s passion for more effective global communication where English is not the first language for all parties involved.

At this time 3M does not have a good way to stream audio.  We do, however, have what would amount to an internal version of YouTube. I could easily post a video that would be readily accessible by all 3Mers using the my video editing software Adobe Premiere Elements 11 for the Mac.  And since it was now in a video format, it was a logical extension to add a few images to liven it up.  I could add images of their projects and their photos.  I started out with photos taken from their 3M on-line profiles, but the resolution was very poor.  When I asked for higher resolution images, to my surprise people started sending me more personal shots of themselves out in the world. The interviewees also suggested the addition of the 3M division they worked for and their location. These were delightful additions that I hadn’t planned or anticipated.  They made for a better end product that could reach a wider audience internally and externally.

Jenna-Text

Jenna Sander: 3M-DS106 participant (Link to a sample of her 3M-DS106 projects.)

OER 14 & M2M Conference

And the whole experiment was successful enough that Alan Levine, Mariana Funes, and I submitted an abstract to present a short paper at the OER14 (Open Education Resources) conference on April 28-29, 2014 in Newcastle upon Tyne, England.  Our abstract was accepted with flying colors (See below) and hopefully all three of us will be in attendance.

This brings me full circle to how I have found myself attending the M2M (Machine to Machine) conference in London from the 24th-25th.  When I am traveling I try to find a conference nearby that may also be of interest for 3M.  In my usual fashion I went to Google and started a search for energy and electronics related conferences in Europe around the dates of OER14. Believe it or not, the first one that popped up was the M2M conference. I made some inquiries around the web and with people in the know in this area at 3M. (More peer-to-peer learning) It turned out to be a premiere conference and I was easily supported to attend.

3M + DS106 +P2PL = OER14 + M2M

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oer14_logo_web_HQ

OER 14 Abstract (Reviewer comments included at end.)

Newcastle, England 28-29 April 2014

Title: A DS106 Thing Happened on the Way to the 3M Tech Forum

Authors:
Ms. Rochelle Lockridge, Strategic Analyst, 3M
Mr. Alan Levine, Educational Consultant, CogDog It
Dr. Mariana Funes, Cognitive Coach

Introduction:
DS106 (http://ds106.us) is a computer science course in digital storytelling at the University of Mary Washington (UMW), framed on principles of the web as a platform for storytelling. Students learn to manage their own digital domain in the process of understanding storytelling and creating media. In 2011, ds106 opened up to a global community of online participants.

This case study explores how DS106 tools, methodology and philosophy were successfully adapted into the corporate world at 3M to build community, collaboration, and effective global communication skills.

Participants in 3M-DS106 were based in Minnesota, Texas and California. A majority were active members in the 3M Technical Collaboration chapter, a subset of the 3M Technical Forum (12,000 plus global members), which fosters communication across a diverse technical community.

Our hypothesis was the pedagogy and assignments of the ds106 open course could be modified for delivery on a corporate intranet, using internal creation and communication tools standard for 3M employees. We hoped to learn how the course experience could work within cultural and technological constraints of a corporate environment.

Methods:
The open ds106 course evolved from years of undergraduate courses at UMW. With no course offered for Fall 2013, a teacher-less open online version was built from previously offered classes.

3M-DS106 began with an open invitation to several hundred users on Spark (3M’s Twitter equivalent for their technical community). As a network connector, Rochelle Lockridge customized and re-published assignments from the open ds106 class and shared back to the open community the activities of the 3M participants.

The 3M-DS106 structure included weekly online web meetings held over lunch, to discuss assignments, which were done independently using 3M blogs and Spark as communication tools.

Results:
The 3M participants were interviewed at the end of their experience. Their blogs record their growth and reflective practice. In narrating their processes, they found value in giving and receiving feedback via comments, and were developing a greater capacity for relationship building. With more comfort in using creation tools and 3M’s social networking platforms, they increased their effectiveness for technology transfer.

Participants identified a need and desire for integrating the course experience into their technical work. Using tools in real time on 3M related projects within a community of learners to provide support, was deemed a highly effective practice.

Discussion:
The global 3M environment demands a quicker flow of information/ideas in a mode that is more conversational than the corporate norm, with the added challenge of consideration and protection of proprietary intellectual property.

With the success of this experiment, the 3M Technical Collaboration chapter will sponsor a yearlong 3M-DS106 course to provide participants more time, flexibility and practice with a monthly focus on topics, and incorporation of more communication tools specific to 3M.

This experiment shows that an open course can be adapted in a business environment, but more importantly a community that is larger than a single course enables success when the boundaries between groups are blurred.

 ***************************************

 

REVIEWER COMMENTS: Our abstract rated excellent for communication and overall impression for 2 of the 3 reviewers.

REVIEWER 1: I couldn’t imagine from the title what to expect from this abstract, but reading it gave me several moments of pure, unadulterated OER joy. I imagine this will be a VERY popular talk at the conference as it exhibits a rare – and highly successful! – interaction between an online, open course and an unrelated major corporation. This looks to have been a *very* important experiment and one of which the OER community needs to be aware, as OER segues into the mainstream. I wholly endorse acceptance of this paper for OER14.

REVIEWER 2: Excellent, this is a unique and engaging study that will attract large participation at the conference. Challenging corporate and open education norms with insights from participants working across groups and pedagogies, this abstract offers an unanticipated angle on the much loved DS106.

REVIEWER 3: I am very interested to see how these techniques translated to the corporate world and what 3M perceived value is as well as the participants.

 

Ode to Surfer Dudette

Surfer Dudette had her last wipeout on Nov 18, 2013.

To ease my grief I wrote a poem (with Humpty Dumpty as my model) and produced the video Ode To Surfer Dudette in memoriam. Her tenure on my mantle and her guest starring roles in DS106 Daily Creates have come to an end.

Her first appearance was a stop motion daily create  “Surf’s Up Dudette” back in July. Then she reappeared Riding the Dopamine Wave , which led to a recurring role as a DS106 Daily Create random image.  This video is in memoriam of her time here. I graciously thank Cathleen Nardi , Talky Tina and Alan Levine for their art and inspirations that added to my tribute. As well as my friend Beth who accidentally dropped her and unleashed a “big wave” of creativity.

Aloha `oe my poor little nalu wahini.  A hui hou kakou. 

OdeTitle_Hawaii_green

Surfer Dudette in Hawaii courtesy of Cathleen Nardi

ODE TO SURFER DUDETTE 

Surfer Dudette… a gift from her daughter
Surfer Dudette… she surfed in the water
DS106 projects and daily creates
For creativity she highly rates
Surfer Dudette… on the mantle she sat
Surfer Dudette… from her perch she did SPLAT!
With Rockylou’s Resources and Rockylou’s Spin
We’ve made Surfer Dudette a star once again.

 

The Production:

The video was produced with doctored images in Photoshop Elements 12.  The selection tool was used to pull Surfer Dudette from her perch on the DS106 Nordic Track.  She was overexposed in the original photo, so I had to make adjustments with the brightness, contrast, hue, and the burn tool to adjust the color and darken her a bit.  Lots and lots of fiddling around!

Jenny_gift_greenShe was placed in various locations by adjusting her size and rotation.  For some of the composite photos, like when my daughter is holding her in front of a 1986 Christmas tree, I needed to use the selection tool again to capture pieces of Jenny’s hands to make new layers that could go over the top of Surfer Dudette. (She was actually a gift from Jenny given to me only a few years ago after a trip to Florida.)

The circling birds were a great find in the animated effects that came with Adobe Premiere Elements 12, my video editing software.

Getting the text font, color, style etc. to look nice and consistent was a much bigger deal than it looks.  I tried all sorts of versions before I settled on the one you see in the video.

The final video segment was from her first appearance in my stop motion video “Surf’s Up Dudette”.

The Hawaiian words above were found on-line at  http://hawaiian-words.com/basics/common/.  My apologies to Cathleen Nardi if I’ve used them incorrectly.

  • Aloha `oe (farewell to you)
  • Nalu (wave or surfer)
  • Wahini (woman)
  • A hui hou kakou (Until we meet again)

A few more Hawaiian words I wanted to use but couldn’t figure out how to fit them in.

  • Kai (sea, seawater, seaside)
  • Ohana  (family)
  • Tutu (Affectionate name for grandmother or grandfather) – I just loved this one.  @Rockylou22 is the perfect twitter handle now.

Attributions:

Link to Seagull Sounds: http://freesound.org/people/juskiddink/sounds/98479/

Music:

 Special Thanks:

Meet Digital Diva Abby

Abby_CharlieBrown_500px

Abby & Her Charlie Brown Halloween Toy

Yesterday’s ds106 daily create tdc644 was all about capturing an image of a dog.  Although the suggestion was to either take a picture or to draw one and take a picture of that, I figured since I have the digital media already hanging out on my computer, why not go a step further and share my little doggie Abby on video and throw in a new GIF for good measure.

She’s such a media diva.  Or is it that I’m the digital media diva and she’s just an unwilling subject of my creative endeavors? But then how would you explain how she’s annoyingly tried to insert herself into a couple of my projects? [The making of the Obruni podcasts on the Scott Lo LoDown summer of 2013 and the Headless ’13 week 4 audio reviews.] Which subsequently required the editing out of her attempts to “audio bomb” my projects.  I’ll think I’ll leave those bits and pieces for an audio out-take reel if I ever decide to make one.

So here she is…..

AbbyDJRound_GIF2

Help! Mommy, help! Abby is gonna get me!

The DS106 Matrix

 “Do you want to know what IT is?….Unfortunately, no one can be told what DS106 is.  You have to see it for yourself.” – Morpheus from The Matrix

I’ve been working this week in Headless ’13 ds106 learning how to read movies.  The initial part of the week 10 assignment to analyze a scene from a movie will be posted soon.  I had decided on using the lobby shoot out scene from The Matrix.  A portion of the assignment asked us…

To get practice in basic video sequencing, locate at least two smaller portions within these clips that demonstrate the points you made in your analysis above.  We want you to put these scenes together in a short montage, sequencing them together so that you get some basic experience with video editing.

MatrixRemixThumbRemixing of video and other digital media is a skill I’m familiar with already.  [See Talky Tina – Sweet as Tupelo Honey].  So I modified the assignment to give me a bit more of a challenge.  I remixed the clips to create a montage/trailer for the DS106 course experience rather than demonstrating the points made in my video clip analysis.  I tried to find a DS106 video assignment or mashup assignment for something like this, but didn’t see one.  Did I miss it?  If not, I think I’ll create one for us.  I created one for us: VideoAssignments1232

Production Notes

I downloaded 3 clips from The Matrix with the Firefox add-on Video Downloader.

I was drawn to snippets of the dialogue that I felt I could string together to have them talking about the chaos we experience and the perplexing situation we have trying to tell someone else what DS106 is all about.

For my video editing software I used Adobe Premiere Elements 12.  Making the clip transitions cleanly from one to the other took a bit of fiddling around by shortening and lengthening the clips so that I didn’t have massive jumps between shots that looked out of place.  At about 20 sec in there’s one cut that didn’t quite work right.  The rest I’m pretty satisfied with. I really had a chance to see and understand how the cuts from one character to another or one scene to another are made as I put this together.

The audio went pretty smoothly.  There were two spots where I wanted to dub in “DS106” – one with Neo and one for Morpheus.  It helped that my voice at the moment is pretty low due to a cold, but I’m not really satisfied with the quality of the dubbing job.  I opted to let it go since I didn’t want to work that hard to make it “perfect”.  I know I could’ve taken the audio into GarageBand and played around with effects and stuff,  but it was good enough this time around.  Personally I think it’s funnier that it stands out as being dubbed anyway.

The DS106 logo overlay onto the elevator was created with the addition of a .png formatted still image onto a new layer above the video track. Reducing the opacity down to 70% made it look more realistic. Finding the location to place the logo was the hardest part. I had to look for a somewhat logical spot in the video that had a stationary image for at least 5 seconds.  Above the elevator worked fine.  The logo had to be resized initially, but no zooming or tracking was required.  Both a white and a black version of the logo are attached below for others to download and use in their projects.

Source Videos:

http://youtu.be/oUBdyntL2Ag

http://youtu.be/Es2uYtSJh-Y

DS106 Logos in .png format for download

They’ll have a transparent background.

ds106_Black

ds106

Tending to My Cherry Red

 

 

DJBDay1_ChildMuseum_thumb3_edited-1Once again I’m employing my DS106 time saver maxim to Reduce – Reuse – Recycle by creating a video that takes a close look at the food we eat (for DS106 daily create TDC 633) with photos and footage I had already taken. This time it’s with my favorite birthday cake which has made several appearances in daily creates and other digital storytelling projects. 

This beauty had to make another repeat appearance since fellow DS106er Stephanie Jeske was unable to view the time lapse video of me frosting my cake a few weeks back.  I use a small section of ZZ Top’s Cherry Red as the sound track and YouTube in Germany has blocked it because of copyrighted content.  I’m using an even longer section this time, but I’ve uploaded the video directly to my website, so no autobot is going to block it.

UPDATE 11/2/13: Just discovered there’s a video assignment for this type of project VideoAssignments1024.  Yay! Yet another Reduce-Reuse-Recycle for this one.

How it was made.

There are a number of sections to this video that was assembled in Adobe Premiere Elements 12: Intro GIF, Time Lapse, Still Photos, Outro GIF.

The GIF at the beginning of DJ licking the frosting off of the number 2 that was on his cake was made with two photos taken fairly close together.  They weren’t close enough to make a smooth GIF right away.  I ended up doing some work in photoshop to adjust the size and skew of the photos so that they blended more when flashed from one to the other.

Using the Lapse It Pro app I photographed myself frosting the cake.  In reality it took about 20 minutes (551 frames) that was reduced to 46 sec when all was said and done.  The app did all the work.  I just set my iPhone up on a tripod and went to work using the default settings since this was my first time out using this app.

IMG_1213

2 yr old’s beauty

The cake really did look beautiful when I had finished, just like the one I made for DJ’s second birthday.  But I made a fatal error by frosting the cake while it was still warm.  I was in a hurry to get to my birthday massage and for some reason was driven to take the time lapse photography right then and there.  Why I couldn’t wait is a mystery to me now that a little over a month has past since I made it.

 

Melted Cake

Aaahhh! It melted!

When I returned from my massage, I removed the cake from the refrigerator and this is what it looked like. To my horror my beautiful cake had melted.  I briefly thought about throwing it out and starting all over again. But I didn’t want to do all that work again.  It was my birthday and I wanted to play, enjoy myself, go get my hair done….. While I was running around having fun I came up with a brilliant idea on how I could pass off this monstrosity as something creative- if nothing else.

 

Cake_51

At 51 you’re showing your age.

My guests are accustomed to this gluten-free birthday cake and had just a few weeks earlier joined in the celebration of DJ’s second birthday.  Of course a 2 year old’s cake would look fresh and new, no wrinkles or bags, or cracks showing through.  But a 51 year old’s cake? Now that’s a different story.  They all laughed and dug in. It still tasted just as good and moist as it always does.  And really…. by the time I get it on their plates it’s a mess anyway.

 

Cake51_PS_GIFpsd_Small

51 in all her glory. No shame required.

The final GIF segment of the video clip was made with a series of still photos as I turned the cake slowly around in a circle.  For a first time effort, it’s not too bad. (Note to self… Next time have a marker of some sort on the counter top so I can line up the placement of the object from shot to shot.) The photos were uploaded to Photoshop, assembled as separate layers into one file and turned into an animated GIF.

Music Attribution:

ZZTop_AntennaHead

I certainly will give credit where credit is due though, and wish to express my appreciation to ZZ Top for making such good music.  You can buy “Cherry Red” on

Star Spangled… WHAT?!

Star Spangled What?! video link

Today’s DS106 Daily Create tdc597 was to “edit an existing video clip to include an unexpected object in the story.”

StarSpangled_WHATVideo is my “thing”.  Not so the case for many of the DS106ers.  And I didn’t realize until I read a couple of comments in the DS106 Google + community today that some of you have felt intimidated to try your hand at the animated GIFs and videos from previous daily creates once you’d seen submitted projects.  A tip for maximizing the value from this course? Don’t compare your art contributions to anyone else’s.  Do what works for you. Do what you enjoy. Don’t worry about your level of expertise with the tools.  We are all beginners in some areas and there are those with more experience we can learn from. The DS106 community is a supportive group of individuals who hold a space and offer encouragement for us to take risks and move outside of our comfort zone.  It’s okay to be vulnerable here.

For me today that took the form of not pulling myself back.  But I also decided to take on the challenge of seeing how quickly I could produce the video.  (I really need to get some sleep tonight. Too many late nights working on DS106 stuff!)

chicken_2

B&W Chicken GIF  courtesy of John Johnston

My first creative inspiration was to use John Johnston’s chicken GIFs: Red ‘Chicken Talking  and his B&W Chicken (He would be considered one of our ds106 experts in the GIF arena.) Based on my personal experience this summer with a previous project [Talky Tina – Sweet as Tupelo Honey] I knew if I used the original GIF files in my Adobe Premiere Elements 11 video editor, I’d have to string together multiple copies of the still images to have continuous movement over several seconds. This would not be conducive to going to bed early.  Ding! I could use my screen capture software, Camtasia, to actually capture the GIF in action over several seconds. It would already be in video format and could easily be inserted into any video I wanted.

chick-01

Chicken Talking  from John Johnston

Next, I started looking at YouTube videos made by other DS106ers.  I downloaded a few of them to my computer with the Firefox Video DownloadHelper extension. Nothing was working.  I then remembered an earlier daily create of my own, Speedy Star Spangled Banner.  I thought it would be really funny to have John’s  red ‘Chicken Talking’ GIF  do the singing, but it took me a little trial and error to make a “logical” substitution of the B&W GIF.

My video editing software allows me to have several layers, and all I had to do was to put the video versions of the GIFs onto a layer above my original video. I then spliced out a segment at the beginning that referred to the previous daily create, added a video title image that comes with the program, personalized the text, rendered the video, and published it to YouTube.

In John’s podcast today, Evidently Not ChickenTown, he talked about how we can have a flurry of ideas after seeing other DS106 projects.  Here’s proof.

Original Video:

Talky Tina – Sweet as Tupelo Honey

Producing the DS106’s Sweet Talky Tina video was a labor of love as it presented many challenges due to the number of different media from several sources that had to be combined and sometimes created: image stills, GIFs, YouTube video and audio. And writing up this blog entry documenting the process turned out to take as much work and time as the video itself!

=> Story Context

Before I launch into my production notes, let me add some Talky Tina context for those of you not participating in DS106, the digital storytelling open online course at University Mary Washington in Virginia.  This is an excerpt taken from the @iamTalkyTina blog written by her “handler”.

The task was to take a misunderstood, outcast, marginalized character and transform her into a more powerful, independent, and self-managed member of the ds106 community… to rehabilitate a character out of The Twilight Zone, such that the character would be accepted as one of the ds106 own.

It was not easy work. The character selected, [Talky Tina from the 1963 Twilight Zone episode “Living Doll”] had a lot of very negative press — often derogatory comments flowed easily off the lips of various members of the ds106 crew…

New image for Talky Tina.  80% positive can overshadow the 30% negative.

New image for Talky Tina.

We started with a new image — working to overlay the existing perceptions with new, friendly ones, building up a preponderance of positive digital identity — a new, Friendly identity for the 21st Century. We built up a network of Friends — and Tina worked with them to gain their acceptance and trust. Yes — there were still naysayers, but we worked on a plan for them, too, and things culminated on the last day of the course , in grand style, and with great success!

=>Video Inspiration

The inspiration for the video was the result of listening to my Pandora Classic Folk Rock station when a fun song about love from the Beatles came on – can’t remember the name right now.  The lyrics made me giggle when I thought of Talky Tina’s DS106 persona.  Then Tupelo Honey by Van Morrison began to play….

She’s as sweet as Tupelo honey.
She’s an angel of the first degree.
She’s as sweet, she’s as sweet as Tupelo honey.
Just like honey baby, from the bee.

I couldn’t resist.  A video mashup/remix of Talky Tina as sweet as Tupelo honey had to be made.

As is the case with most of my projects, they are iterative in nature – forever improving and incorporating new ideas as I go along.  Sometimes I am inspired by the work of others. Other times I just happen to stumble upon something that I like more. There are two versions of the video available. I decided to keep the first draft posted to YouTube so that I could illustrate with examples the modifications undertaken to produce the final version.  Links to the actual in-video sequences are provided as needed.

=>INTRO & OUTRO

DS106ZoneTall_CrossedOverThe first draft does not contain an intro or outro sequence.  And upon request, Talky Tina was kind enough to create a special title sequence GIF, Starring @iamTalkyTina, that I could use in my final video.

For the title sequence, I liked the GIF that Talky Tina had made, but the first few frames of “smack talk” directed at Jim Groom needed to be deleted.  By opening the GIF directly in Photoshop Elements 11 for the Mac I gained access to all of the original 30 image layers, and could easily delete the objectionable frames.

Next, I noticed that the star pattern used in the GIF was less dense than the star pattern I was using in other parts of the video.  This lack of continuity didn’t sit well with me.  I tried to let it go… telling myself no one would notice…. but it just kept bugging me every time I watched it.  In the end, my “OCD” alter ego won out and I went about making the necessary image modifications.

Using the Magic Wand tool I selected the portion of images I wanted to retain, and deleted the rest.  The remaining images fortunately did not have to be perfectly clean since they would be merged with a new black starry background that would hide the imperfections. This saved a lot of time, which I greatly appreciated.

When merging the selected images and text with the new background, I reduced the image opacity to 80% to give them more of an eerie feeling.  Tina’s head is a little transparent – floating out in space. The GIF below visually illustrates the sequence of steps taken.

Talky Tina Title Sequence Production

Click on image if the GIF is not running

The expanding “The DS106 Zone” text was created using the zoom effect on only that specific text image. The soundtrack for both the intro and outro were pulled from the original Twilight Zone television show.  The outro was used in its full length. But the intro could only be used the first 10 seconds before Rod Serling speaks.

=>Twilight Zone Video Mashup/Remix

I had enjoyed and wanted to use the scene reversing effect that Christina Hendricks incorporated into, Tina and Telly: A story of true friends, her video response to Brian Short’s, Tina & Erich a Love Story. However, using clips from those videos themselves were problematic, due to their own story editing and sub-optimal resolution.  I searched YouTube and found a short 2 min video highlights of the original episode which had excellent resolution and enough material for me to work with in my own way.

"And her name is Talky Tina"

“She’s alive Daddy and her name is Talky Tina.”

My video editing software is Adobe Premiere Elements 11 for Mac and my story purpose was to show Talky Tina as only sweet and loving – especially with Erich.  To accomplish this task, I pulled the audio soundbite, “My name is Talky Tina, and I love you very much.” from the beginning of the episode when she is talking to Erich’s daughter.  I unlinked the video and audio, deleted audio portions where Talky Tina and Erich hate or threaten to kill each other, and dubbed in the love line.  I also found a segment of “silence” in the original video that I could use to cover up dialogue I had deleted but where video remained. The audio proved to be a bit trickier for Erich though.  I didn’t want there to be the dubbed foreign film effect, and have Erich mouthing words that didn’t match the audio.  To get around this I found back shots of Erich and strategically spliced in images of Tina at certain locations. [View example in video]

Talky Tina and Erich

“And I love you very much.”

Erich’s facial expressions and actions also had to look loving toward Talky Tina. Again, careful splicing of the right portions of video did the trick. In one case I tried using Christina’s reversing effect so that instead of Erich throwing Tina against the wall, it looked as if she were throwing herself toward him and he is lovingly catching her in his arms.  But the effect just didn’t look right in my video, so in the end it was deleted.   As you can see, Erich and Talky Tina can say and do nice things to each other through the magic of video & sound editing.

=>GIFs

As I mentioned above, this project contained a number of different media.  Each of which presents its own challenges. Working with the GIFs was a big one.  When I tried inserting them directly into the video editing software, they no longer looped endlessly.  They ran once and stopped.  No problem you say… just copy and paste to make the sequence repeat… Sounds great, in theory, but my video editing software “deletes” a few beginning and ending frames in order to blend with the visual media on either side.  While this wasn’t too big of a problem for most of the GIFs…Jinxed-by-Julie

…for two: Quick Wink Tina and Tina & Julie Andrews  – this resulted in the wink and the ghostly image of Julie Andrews being cut off prematurely.  You’ll notice these irritations in the first draft version as illustrated below.

The use of the GIFs was further complicated by the fact that I only wanted the important event, such as Julie Andrews or the wink, to appear once, and the entire segment needed to be a specific length in order to match with the music soundtrack. To address these issues I opened the original GIFs in Photoshop and placed the layers with the “event” in the middle of the GIF, instead of at the end. I then duplicated a few strategic layers to make the event last longer on screen and to make the entire sequence itself longer.

The long GIF sequence of Talky Tina at the computer needed no modification what so ever.  It was meant to play only once and was miraculously the same length as the instrumental section in the music soundtrack. What a stroke of luck.  [View in final version]

=>Image Stills: Tips & Tricks

  • A trick I often use when mixing visual media is to capture a beginning or final frame of a video or GIF sequence.  (In Adobe Premiere Elements 11 for Mac the command is Tools => Freeze Frame ) By inserting a still image captured from the original source the image is already perfectly aligned and will aid in providing a smoother transition between the media. And as an extra bonus you can easily adjust its length on screen to provide better synchronization to your music soundtrack if desired. 
TalkyTina_Webheader_Opaque

Reduce opacity of overlay by 80%

Reducing the opacity of an overlay image, such as Talky Tina’s head in the intro sequence or her webpage banner text as shown to the left, allows the underlying image to remain partially visible.  This works great for title and credit text sequences as well. 

Increasing the brightness & contrast of an image, such as for the cover of Talky Tina’s memoir, “The Stairs. They Go Both Up and Down” helps the image to stand out and become more memorable in the video.

Adjusting an image position and zoom factor in relation to an adjoining image can make for a smoother more natural transition without the need to create a time consuming manual pan of the shot. [Watch example in video]

=>Badges  

iamTalkyTinaSaysSoRockyLou22Talky Tina had created badges that her DS106 “True Friends” could insert into their blogs. [Talky Tina’s True Friends Index] And there were a few technical hurdles that I had to overcome to include the badges in the video.  First off, the whole badge wouldn’t fit on screen and remain legible on a mobile device. I was able to get around that by cropping the top half with the picture of Talky Tina and use it to introduce the badge segment in the video.  The bottom half of the badge, including the “TalkyTina Says So” text, was then cropped and used as the badge image for each friend.

The video includes badges of people whose media I used, and her other “Super True” friends. I think of this segment as part of the credits and acknowledgments. Amazingly there was a length of soundtrack that lent itself well to the needed seven friend badge image sequence.

Originally I made the decision to exclude badges with GIFs. I assumed they would be too time consuming to make them work correctly and align them properly.  I had a change of heart after modifying all of the other GIFs in the project, and the GIF badge by John Johnston (who also made the CogDog/Alan Levine-TalkyTina Dissolve) would be included in its full glory. [Click here to view]

The transitions between badges were surprisingly challenging. Fortunately, Talky Tina had used a template to create the original badges and I had used the same size and technique in Photoshop to crop them. This meant I had a supply of badge images that were the same size and shape to work with. I tried different transitions:

  • no transition – just a cut to the next badge
  • fade to black (as seen in draft video)
  • cross dissolve
  • film dissolve

… and finally settled on the film dissolve.  With careful alignment of each badge I was able to give the effect of only the photo image gently dissolving from one badge to the next.  Toward the end of the project I was still not satisfied with the sequence.  The badges were thin and there was a lot of blank space to either side.  I considered adding vertical text, such as DS106 on the left and Zone on the right, but that felt like it would be too cluttered.  It wasn’t until I had the inspired idea to add the starry background and reduce the opacity to 80% that I was satisfied and could call the badge section complete.

=>Rockylou Productions Animated Logo

RLP_Logo_27lvs_Bw-Col

The Rockylou Productions animated logo at the very end of the video was created by incorporating a dissolve transition between two logo images designed by Amber Lockridge.  Transitioning from b&w to color with a slight increase in the size of the color graphic by 1%  is meant to give the illusion of growth and expansion, an important value statement for Rockylou Productions.

The audio logo for Rockylou Productions was made with GarageBand and a simple “D” chord that I played on my 12-string guitar.  I took the original recording and added a Bright Guitar effect to the basic track.  I then duplicated the original track four times, and added dimensionality to the chord by adding a Lunar Bounce to two (panning each slightly left and right) and a Swirling Echo effect to the two remaining tracks, also panning them slightly left and right. With the addition of the Ambient – Wide Spaces effect to the master track the memorable audio logo for Rockylou Productions was born. 

RLPChord_GB

=>Wrap-Up

      I think that about does it.  This will most likely by my last DS106Zone related project, but I’m looking forward to completing many more digital storytelling projects in DS106 and with Rockylou Productions in the future.  In the wings already in the early stages of production are two challenging projects:

      • a multi-media story using Facebook entries & Storify about the uprising in Istanbul in June, 2013
      • a video interview of Amber & I talking about the creation of the Rockylou Productions logo and website banner which will be incorporating images against a green screen background.  

If you have any questions or would like to know more about the production of this project, post a comment or send me a tweet @rockylou22 and I’ll be glad to share.

=>Media Sources & Credits

Soundtrack: “Tupelo Honey” by Van Morrison

Twilight Zone Video & Audio Clips

Media links (GIFs & Stills) in order of appearance:

Created and used with permission by @iamTalkyTina unless otherwise noted