Category Archives: Audio

3M+DS106+P2PL=OER14+M2M

 

At the end of April 2014 I’ll be attending the industry’s largest global M2M (Machine to Machine) conference in London as part of my strategic analyst job at 3M. But what’s that got to do with DS106 or OER14? And what’s with that P2PL in this post’s title? Let me explain.

At 3M I get paid to study companies and technologies relevant to the Electronics and Energy business group that I work in. That’s how I discovered DS106. I was asked to look into this new phenomenon called MOOCs and see if there was anything of interest for the group.  What I eventually learned was that DS106 was no MOOC. But it was, at its best, a peer-to-peer learning (P2PL) experiment where we learn from and teach one another skills that can help us to maneuver and communicate more effectively in the social media and digital world. Dare I say it? …by playing and having lots of fun in the process.

3M-DS106-GoldGuys_ShakeHands-4My initial foray in the summer of 2013 into the open on-line Digital Story telling course DS106 out of University Mary Washington, led me to organize an internal version of the “course” at 3M (3M-D106) to run in parallel with the loosely organized DS106 “Headless 13” session (Aug 26th thru Dec 13, 2013). My intention was to modify the open on-line course materials and methodology for use behind the 3M Firewall to help myself and my fellow technical 3Mers become more fluent with the digital communication platforms provided by 3M.  There is a need and expressed desire to improve the effectiveness of our communication, especially with our global colleagues.

3M-DS106 Final Project:

As a final project for 3M-DS106 I created a short video of participant experiences. “3M-DS106 is Open For Business”

yu garden cropped

Bill Dower 3M-DS106 Participant

To make it easy and time efficient for scheduling and editing I recorded Skype conversations from five participants, then reduced 3+ hours of audio down to 8 minutes using GarageBand 11 on my Mac. Achieving a logical flow to the storyline of the audio was a bit of a challenge. I had originally intended to break it into sections with snippets from each person, but that turned out to be too choppy and disjointed. Organizing by person provided a better overall feel to the audio.  But I did choose specific topics to emphasize and made sure to include important points each interviewee themselves was emphasizing during our conversation: Like the concept of having tools in your tool box, participants teaching and learning from one another (the P2PL (peer-to-peer learning) reference in the title), and Bill Dower’s passion for more effective global communication where English is not the first language for all parties involved.

At this time 3M does not have a good way to stream audio.  We do, however, have what would amount to an internal version of YouTube. I could easily post a video that would be readily accessible by all 3Mers using the my video editing software Adobe Premiere Elements 11 for the Mac.  And since it was now in a video format, it was a logical extension to add a few images to liven it up.  I could add images of their projects and their photos.  I started out with photos taken from their 3M on-line profiles, but the resolution was very poor.  When I asked for higher resolution images, to my surprise people started sending me more personal shots of themselves out in the world. The interviewees also suggested the addition of the 3M division they worked for and their location. These were delightful additions that I hadn’t planned or anticipated.  They made for a better end product that could reach a wider audience internally and externally.

Jenna-Text

Jenna Sander: 3M-DS106 participant (Link to a sample of her 3M-DS106 projects.)

OER 14 & M2M Conference

And the whole experiment was successful enough that Alan Levine, Mariana Funes, and I submitted an abstract to present a short paper at the OER14 (Open Education Resources) conference on April 28-29, 2014 in Newcastle upon Tyne, England.  Our abstract was accepted with flying colors (See below) and hopefully all three of us will be in attendance.

This brings me full circle to how I have found myself attending the M2M (Machine to Machine) conference in London from the 24th-25th.  When I am traveling I try to find a conference nearby that may also be of interest for 3M.  In my usual fashion I went to Google and started a search for energy and electronics related conferences in Europe around the dates of OER14. Believe it or not, the first one that popped up was the M2M conference. I made some inquiries around the web and with people in the know in this area at 3M. (More peer-to-peer learning) It turned out to be a premiere conference and I was easily supported to attend.

3M + DS106 +P2PL = OER14 + M2M

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oer14_logo_web_HQ

OER 14 Abstract (Reviewer comments included at end.)

Newcastle, England 28-29 April 2014

Title: A DS106 Thing Happened on the Way to the 3M Tech Forum

Authors:
Ms. Rochelle Lockridge, Strategic Analyst, 3M
Mr. Alan Levine, Educational Consultant, CogDog It
Dr. Mariana Funes, Cognitive Coach

Introduction:
DS106 (http://ds106.us) is a computer science course in digital storytelling at the University of Mary Washington (UMW), framed on principles of the web as a platform for storytelling. Students learn to manage their own digital domain in the process of understanding storytelling and creating media. In 2011, ds106 opened up to a global community of online participants.

This case study explores how DS106 tools, methodology and philosophy were successfully adapted into the corporate world at 3M to build community, collaboration, and effective global communication skills.

Participants in 3M-DS106 were based in Minnesota, Texas and California. A majority were active members in the 3M Technical Collaboration chapter, a subset of the 3M Technical Forum (12,000 plus global members), which fosters communication across a diverse technical community.

Our hypothesis was the pedagogy and assignments of the ds106 open course could be modified for delivery on a corporate intranet, using internal creation and communication tools standard for 3M employees. We hoped to learn how the course experience could work within cultural and technological constraints of a corporate environment.

Methods:
The open ds106 course evolved from years of undergraduate courses at UMW. With no course offered for Fall 2013, a teacher-less open online version was built from previously offered classes.

3M-DS106 began with an open invitation to several hundred users on Spark (3M’s Twitter equivalent for their technical community). As a network connector, Rochelle Lockridge customized and re-published assignments from the open ds106 class and shared back to the open community the activities of the 3M participants.

The 3M-DS106 structure included weekly online web meetings held over lunch, to discuss assignments, which were done independently using 3M blogs and Spark as communication tools.

Results:
The 3M participants were interviewed at the end of their experience. Their blogs record their growth and reflective practice. In narrating their processes, they found value in giving and receiving feedback via comments, and were developing a greater capacity for relationship building. With more comfort in using creation tools and 3M’s social networking platforms, they increased their effectiveness for technology transfer.

Participants identified a need and desire for integrating the course experience into their technical work. Using tools in real time on 3M related projects within a community of learners to provide support, was deemed a highly effective practice.

Discussion:
The global 3M environment demands a quicker flow of information/ideas in a mode that is more conversational than the corporate norm, with the added challenge of consideration and protection of proprietary intellectual property.

With the success of this experiment, the 3M Technical Collaboration chapter will sponsor a yearlong 3M-DS106 course to provide participants more time, flexibility and practice with a monthly focus on topics, and incorporation of more communication tools specific to 3M.

This experiment shows that an open course can be adapted in a business environment, but more importantly a community that is larger than a single course enables success when the boundaries between groups are blurred.

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REVIEWER COMMENTS: Our abstract rated excellent for communication and overall impression for 2 of the 3 reviewers.

REVIEWER 1: I couldn’t imagine from the title what to expect from this abstract, but reading it gave me several moments of pure, unadulterated OER joy. I imagine this will be a VERY popular talk at the conference as it exhibits a rare – and highly successful! – interaction between an online, open course and an unrelated major corporation. This looks to have been a *very* important experiment and one of which the OER community needs to be aware, as OER segues into the mainstream. I wholly endorse acceptance of this paper for OER14.

REVIEWER 2: Excellent, this is a unique and engaging study that will attract large participation at the conference. Challenging corporate and open education norms with insights from participants working across groups and pedagogies, this abstract offers an unanticipated angle on the much loved DS106.

REVIEWER 3: I am very interested to see how these techniques translated to the corporate world and what 3M perceived value is as well as the participants.

 

DJ Rocks The Mic for DS106 Radio

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Introducing a future DS106 Radio DJ in training. He may only be starting to string words together, but with the magic of audio editing DJ and Nana have created a new radio bumper for DS106 Radio. [audio assignment 36]

DJ-Rock-The-Mic

This all started because I noticed on my regular Wednesday afternoon visit that DJ was wearing a “Rock the Mic!” t-shirt today.  There was no way I wasn’t going to snap a photo of that to post for audio week. (Camera+ app on my iPhone).  DJ loves having his picture taken.  He poses and smiles when asked, and wants to see the results of his “modeling” efforts right away.

Then using the Recordium App I was able to capture DJ repeating back to me, one word at a time,  “Nana listens to DS106 Radio”.  (And letter at a time when it came to the DS106 portion.) He did almost all of them on the first take! Both Mom and Nana were surprised.  It was great fun to replay the recordings and have him repeating the words all over again as he listened to it.

After dinner I downloaded the .wav files into GarageBand and chopped out the bits I wanted. I like that I start with the “can you say” phrases then follow up with a closely edited sound clip that strings together only the DJ parts. It tells more of a story and makes the bumper as a whole more interesting.

You can bet you’ll be hearing this little guy’s radio bumper the next time Nana hits the DS106 radio waves. 

UPDATE: The JunioRS added this bumper to the end of their DS106 Radio Show, “Spinning Round” aired on 10/22/13 for the Headless ’13 Radio Show group assignment.

LoDown Part 1 – (Episode 17)

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[UPDATE Oct. 7, 2013: This post was originally published on Scottlo’s DS106Zone LoDown blog on June 5, 2013. I am republishing it as a post on my own blog. Easy link to audio file.]

LouDown_RockylouHello… This is Rockylou standing in for Scottlo over at the ds106 open course in digital storytelling. We’re giving him a much needed break from producing the daily episodes of the LoDown. I can’t imagine trying to do this daily for 35 days straight. Making one of these is a lot more work with the behind the scenes preparation and post-production that you can’t appreciate until you’ve made one yourself. And keeping the time of the episode to 15 minutes or less is no easy walk in the park. By the time we finished recording our conversation we had so much material we thought it best to turn it into two shorter episodes instead of one VERY long one. [Link to 2nd episode] But I’ve also been on that “wild ride” that Scottlo and Prof. Groom were on in episode 15 of the LoDown. It’s a lot of fun when you are actually doing the recording.

AmberTiltedFace_PodcastIn this episode my daughter Amber agreed to join me to discuss our back and forth process when creating our own podcasts based on short stories and letters she had written while an AFS exchange student in Ghana, Africa in 2000. With a focus on sound effects, we talk about how we’ve had to deal with generational and different life experiences when deciding on the “right” sounds to be used for a character in a podcast. I’m envisioning sexy gamblers, while she’s intending clownish “antelope man.”

Like I mentioned above, it takes a tremendous amount of time and effort to create our kind of podcast. So why do we continue to make the sacrifices? What keeps bringing us back when there’s so much work that has to go into it? For me it’s all about spending time with my daughter, creating together. Although sometimes that creativity can get a little out-of-hand if we’re not careful. “Mom, we want them to say, ‘Please give us more. NOT Please make it stop.’”

As we were preparing for the podcast Scottlo prompted us to have Amber question me about my experience of being in the #ds106 course. What brought me here, and what are my impressions thus far? Great questions for any of us to reflect on. [Reflecting on DS106]

A shout-out to my fellow students whose work I used for the DS106 bumper (zinger?) mashup:

You can listen to all of the Obruni Podcast episodes with the audio player below. Photos and scripts are also available.
Episodes referenced in part one of our conversation:

  • Sound Effect Story was created from SFX in EP01- Obruni: Take It Up
  • The “Antelope Man” (The Entertainer) in EP05- All’s Hair in Love and War
  • +  EP01- Obruni: Take It Up
  • +  EP02- Obruni Ko Skuul
  • +  EP03- Transportation
  • +  EP04- Devil's Hairground
  • +  EP05- All's Hair in Love and War

Know-It-ALL Thru Storytelling

Rochelle and John at 3M

“It’s the undisclosed knowledge- the anecdotal knowledge.  It’s the stories that are missing. There’s an efficiency in story telling that you can not get from just the written text and then recorded videos.” – John Woodworth, 3M IT Manager

I am currently in the midst of coordinating  the 3M-DS106 Salon in coordination with the Fall 2013 “Headless” DS106 open on-line digital story telling course. One of my favorite technologies that we work with is audio, and I’ve been curious as to how or if podcasting might be an unexplored opportunity at 3M. So… last week I sat down with one of our 3M IT managers, John Woodworth, to discuss and record his thoughts on how vignettes and story telling can be used as an effective and often quite efficient mode of communication and knowledge transfer in the corporate environment.  John is an avid story teller who illustrated many of his points by telling a story.  As you can imagine, the time flew by and we talked for almost an hour.

This segment of my podcast experiment at 3M captures the second portion of our conversation specifically focused on story telling.  The first half on vignettes was much longer and needs to be edited to a more reasonable length or split into a couple of episodes.  If you find this interesting and would like to hear more, let me know and I’ll work up and post the remainder of our conversation.

  • +  Know-it-ALL thru Storytelling

 

Music Attribution: “Skirting Boards” by Bleak House (Creative Commons License)

NOTE: I want to apologize to John Woodworth and my listeners for the poor sound quality of the recording.  John sounds off in the distance with some annoying room echo.  I am still learning how to use my audio equipment (a Samson Meteor Mic plugged into an iPad using the Recordium App) and what room environments work best. (Definitely not John’s office with my set-up. I’m even wondering if I was actually recording through my iPad mic instead of the nice Samson.)  I did my best to try and fix it during post-production within GarageBand.  Most of the advice out there in Google Land was to trash it and start over again.  But one guy talked about how he adjusts the noise gate and EQ settings, and that it might take a second pass. I gave it a valiant effort, trying all sorts of different effects as well as what was recommended, and will do better next time around. What can I say in my defense… I’m a technical person by heart and enjoy getting out of my comfort zone to experiment with new technology. That’s one of the traits 3M hired me for!

Rockylou Hits The DS106 Airwaves

ds106.ioAnimatedNewOldFriend_290I did it.  I successfully pulled off a live broadcast on ds106 radio this morning.  Christina Hendricks and I were going to rebroadcast our DS106 Headless week 4 audio review, but our open-online course mates had already listened to it through our earlier blog posts.

I decided to not let this free airtime go to waste.  What a perfect opportunity to mess around when no one is listening.  Although it did turn out that Cathleen Nardi caught the tail end of my broadcast before Nicecast severely degraded my sound quality until I paid for the $59 software license.  I signed off amidst static, but plan to come back on the air again with the entire Obruni podcast series in week 7 (Oct 14 – Oct 20). I may also pop in from time to time with some of my acoustic music.  I’ll let you know.

  • +  DS106 Headless Week 4 Audio Review
  • +  DS106 Radio Futz Cast

First Futzcast:

As a bonus to this blog post I’m including my first ds106 radio “futzcast” (as TalkyTina refers to it) aired last week 9/20/13. Dead air, sound level issues, talking to myself as I work through things, keyboard clicks during music… I can hear improvement this time around. 🙂

Here are the songs played in the my futz cast with videos I’d made a few years back for two of them.

 I’ll Fly Away (3:00) hymn written in 1929 by Albert E. Brumley

 Comes A Time (10:25) by Neil Young (Oops, forgot I’d already played this one, and put it in again for the “real” broadcast.) 

  • Bread & Roses (6:30) 1911 poem by James Oppenheimer set to music in 1974 by Mimi Baez Farina

 

DS106 Audio Week 4 Reviews Are In

Play AUDIO ONLY Version DS106 Headless13 Audio Week 4 Review

Link to VIDEO version DS106 Headless13 Audio Week 4 Review

Christina Hendricks and I volunteered to be helpers for the Headless 13 DS106 week 4 Intro to Audio – Listening. As a part of that Christina organized a Google Hangout: ds106 Radio How To Jamathon on broadcasting to DS106 Radio. Then on Saturday we pulled together and reviewed the radio bumpers and sound effect stories created by the “headless” ds106ers this week.

DS106_wk4_RnC_Smile

Rochelle Lockridge & Christina Hendricks review the DS106 Headless 13 week 4 audio projects.

To make it easier for the two of us we’ve divvied up the write-ups such that Christina’s post provides the discussion of the audio material for the podcast, while my post is covering the nuts & bolts of production.

1. To start with we took quite a bit of time scouring the ds106 Google+ Community, #ds106 Twitter feed, and ds106 linked blogs to find completed assignments. We kept track of links and comments in a shared Google Doc.

2. We had contemplated doing the show live on DS106 Radio, but neither of us had the experience to pull that off. Eventually we’ll get there.  But first I have to figure out how to route my system sound through Skype, so the person on the other end can hear the additional audio I’m playing at my end.  I’ve read a bunch of tutorials, corresponded with experienced ds106 radio broadcasters, and have become quite friendly with the Skype test call lady testing a multitude of settings to use with NiceCast.  Nothing has worked yet.  I’m beginning to think that my Mac hardware and operating system (10.6.8) might be the culprit.

3. We finally settled on “simply” recording our Skype conversation and turning it into a podcast to play on DS106 Radio next week.  For recording I use:

Call Recorder For Skype (Mac Only): $29  http://www.ecamm.com/mac/callrecorder/

It allows me at the click of a button the option to record each side of the conversation as audio and video on separate tracks. It also provides a number of translation tools so I can combine them as needed.

4. It took us almost an hour to get ourselves set-up to record the conversation.  We tested levels and other settings to make sure we were good there. We had all of our audio tracks lined up and ready to go as quickly as possible in real-time.  This would lessen the post-production editing time.  Dead air and click, click, click as we find something on our computer doesn’t make for a riveting podcast.

5. Our 53 minute conversation went smoothly, except for three spots we had to edit when:

  • My little dog Abby was scratching the floor so loud Christina couldn’t concentrate.
  • Christina’s husband decided to pop in to get something from the fridge.
  • I pulled up Stefanie’s DS106 Rap too early in the sequence. (This caused me to move the segment to later on in the podcast, which resulted in some jumbled conversation as noted in Christina’s comments below.  Oops!)

6. Once the recording was finished, then comes post production.  We had both thought the review would be about half as long, and I wasn’t keen on using up half of my remaining minutes on my SoundCloud account to post the 50+ minute podcast.  Christina also had restrictions on what her Tumblr blog would allow for media embedding.  My inspired idea to post it on YouTube addressed both of our issues.

7. I used the movie translation tools with the Skype recorder app to produce a side-by-side video chat. This was loaded into Adobe Premiere Elements 11 for the Mac. Unfortunately, something went wrong with the translation or maybe importing it into Premiere which resulted in the sound and video being out-of-sync after only a few minutes into the conversation.  I was able to keep our introductions, but the remainder of the video would have to be manually re-synced bit by bit, (which would be painstakingly slow and tedious). My fix? To overlay still images & GIFs in place of the messed up video.

DS106Headless13_wk4

 To make it a little more visually interesting, I added the animated DS106 Radio GIF when we are playing an audio clip.

7.  chicken_2After the first draft was completed, Christina reminded me she had envisioned us including John Johnston’s Chicken Talk podcast material as intro and outro clips.  Boy did I amuse myself. I used the Mel Blanc and Sound Effect Man- Chicken Farm Song. Then one thing led to another and John’s B&W chicken GIF and his Red cartoon chicken GIF became once again stars in one of my videos [First appearance in Star Spangled… WHAT?!] The B&W movie studio chicken brings us in, and a duet with the B&W and the Red chicken take us out. I think it’s really funny! Although after looking at it again, I wish that I had flipped sides so they were singing to each other instead of back-to-back. (See update below.)

LouNChristina_Flag_38. Christina also noticed that our sound levels were unbalanced and at times she had difficulty hearing her comments when listening on her iPod earbuds.  Unfortunately, it would have been a HUGE piece of work for me to go back in and fix it for the video. I should have used the Levelator before I began the editing. This is a free software app that helps to balance the volume of a recorded conversation. It was recommended by John Johnston in his audio post Levelling up the LoDown . (The tip is about 3:30 minutes in.) I tried using it after the fact and it brought her volume up, but also the background hiss. It didn’t make it easier to hear her, so I left it as is.

9. The finishing touches required me to add two additional DS106 Radio bumpers at the beginning and end.  The first one is a mashup I created this summer.

The final bumper at the end of the podcast was produced by Ary Aranguiz.

10. But wait… there was more that wasn’t quite right…. an excerpt from an e-mail received while I was writing up this post.

The only thing I noticed is that when we switch to talking about Ary’s project, after we talked first about Stefanie’s, the wording gets a bit garbled and then jumps to “Ary”, then goes right into her sound effect story (at about 27:25). I expect this is the best that could be done with the fact that we had to cut something out! Just wanted to check that how it ended up is what you meant, as it seems a bit jumbled.

Oh, and I just listened to the end, b/c I hadn’t had a chance to do that yet, and your last words are: “I had fun…I will” and then it jumps to the music. Not sure if you wanted to end it there?

But hey…this does not have to be perfect, and I don’t want you to put any more work into this if you don’t feel it’s necessary…so feel free to say: Christina, it’s just fine as is!

And in the end… that I decided to NOT INDULGE MY PERFECTIONISTIC TENDENCIES and let these go is a good sign.  I’m getting more comfortable allowing myself to be seen in the world as a work in-progress, blemishes and all.

UPDATE: I tried…. I really tried to let it go.  But when I heard the HUGE error with Ary’s radio bumper accidentally playing over a part of our conversation – I HAD to fix it.  It turned out I had moved the bumper clear up to layer 8 while adjusting something else and forgot about it. The error was towards the end, and I hadn’t taken the time to listen to the entire 51 minute audio file before I posted it. Lesson learned? Either make my projects shorter or listen to the whole thing before I decide to release it to the public. I may’ve let it be played on DS106 Radio, but when Alan Levine decided to add it to the week 4 assignment page, so that future students could hear it, there was no way that mistake was going to remain for posterity.

Since I was going to edit the file anyway, I decided to fix the rest of what I could.

  • I essentially started over by separating the two audio tracks, which allowed me to boost Christina’s volume and apply a noise reduction filter to her audio only.
  • Alan Levine & John Johnston had recommended that I dial down the audio quality from 256k to 128k to reduce the file size.  John said he’ll even go as low as 94k.  My comfort level with the lower sound quality isn’t great, but I’m willing to listen to the voices of experience here.
  • Alan also suggested that I add meta data to the mp3 version so that when it plays on DS106 radio people will know what it is.
  • Remember my concerns about the length of the 51 minute audio file and where to post it? Once again Alan & John came to the rescue offering me advice on uploading the file via FTP to my own website and embedding that file into my blog post. I use Cyberduck for the upload and followed the directions for the Compact WordPress Audio/Music Player settings to get the cute little player button at the top of this post
  • What the heck… I flipped the chicken images too.  They are now singing their duet to one another.

Attributions & Links:

Ary Aranguiz- DS106 Radio Bumper 2 (The one accidentally inserted into the original version of this podcast.) https://soundcloud.com/ary-aranguiz/ds106-radio-bumper2

Rochelle’s sound effect story: [Headphones highly recommended] Spend a summer day at an island cabin in Northern Wisconsin. Wake up to the sounds of loons on the lake. Spend the day enjoying all the amenities that no running water or electricity can provide. Fall to sleep to the rumbling of a thunderstorm. And don’t get me started on the MOSQUITOES!

Etude de la Musique

A study of music….

Music is a powerful force that can change the mood and even the meaning of a video. I’ve been wanting to illustrate this concept for awhile and when I saw the tweet and original video created by Brian Bennett I knew this was my opportunity.  Because of the video’s simplicity with one on-going activity (Brian painting a room) as the viewer moves through different styles of music one can feel the effects of each piece as it relates to how the video is experienced emotionally.

Watch & listen to the original video by Brian Bennett & read his blog post here.

Painting_Music_Title

“A Study of Music” illustrating the power of audio.

Brian  and I talked about the power of music and we both thought there was/should be a ds106 audio assignment that did this, but we didn’t find one.  I tweeted Brian (@bennettscience) that I had wanted do this sort of video and put up an assignment, but didn’t have a good illustrative video to use as an example yet.  I asked if he’d mind me using his.  It was no problem. Now one of us just needs to write up and submit the assignment.[UPDATE: AudioAssignments1193 has been created and ready for you to try.]

This music video was very simple to make. I knew that I wanted a variety of music styles: soundeffectish, comedic, dramatic, simple, complex, ect.  Figuring out how to search on the freemusicarchive.org site took a little time, since this was only my second time visiting.  But once I had my key words down I was able to locate about 15 songs that I thought might work and downloaded them.  I was able to keep track of the artists names and songs for later attribution from their file names.  That was a nice bonus, as properly siting my sources can be a real headache and time hog as I try to rekindle my search logic when I found them the first time around.  HINT: To keep track of sources pulled from the internet, create a new post, keep it in draft mode, and copy & paste all of your links with a summary of what they are into the awaiting post.  When it comes time to write up your post you already have a big chunk completed, and no retracing your steps.

Painting_Music_WindowInside

B. Bennett painting room time lapse video

Once I had the songs it was a matter of placing them onto the timeline and seeing what fit where. (I used Adobe Premiere 11 as my video editing software.)  Making effective transitions between the pieces of video and music are important so that the viewer is not distracted or irritated, but instead able to easily go with the flow.  Fortunately, I didn’t have to resort to my first plans of chopping into the video and adding fade to black transitions with each change of music. As I worked with the media I noticed there were natural transition points that I could use instead.  That made it an even more powerful illustration because there was a continuos visual flow.

Having Brian’s original music, My One True Love by Ben Saretan remaining at the beginning, middle, and end of the video was important to me. As with many of my projects, I continue to be amazed at how things can miraculously fall into place.  And that was certainly the case here as I noticed and worked with the natural transitions. Brian’s music remained in the locations I had intended and the music selections on either side “made sense”.  There is a nice flow both from a visual and auditory perspective.

Did you experience the video segments differently as I had intended? What emotions did they bring up? Which music selection(s) did you enjoy more? [Start time links provided below.] Did you feel that one song was more suited to Brian’s video throughout? Why? I’d be very interested to hear your reactions and comments to the piece.

All music licensed under Creative Commons from freemusicarchive.org

Painting_TitleCardIntro

Reflecting on DS106

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Prompted by comments and discussions with scottlo, our DS106 audio mentor, I’ve taken the time to reflect upon and record my thoughts and impressions with the University Mary Washington open online course in digital story telling.

I find that the open, collaborative, and sometimes chaotic nature of the course allows for a tremendous amount of creativity to be unleashed, and I feel inspired by the quality of work put out there by the entire ds106 community.

There is something different going on here. We are learning from and teaching each other: Teacher to student, student to teacher, mentor to teacher, teacher to mentor, mentor to student.   Bringing our “A” game, which inspires others to do the same.  It’s not just happening in closed classrooms, but globally, across generations, synchronously and asynchronously.

[DS106ers can submit their own self-reflection here.]

 This is what the future of education can be.

DS106 Log0

UMW Open Online Course in Digital Storytelling

Note: The background music is a self-recorded version of “Can’t Find My Way Home”, written by Steve Winwood. (Often attributed to Eric Clapton.) I like the song, especially the way it sounds when I play it in on my 12-string guitar, but I don’t feel inspired by the original famous lines:

But I’m near the end and I just ain’t got the time
And I’m wasted and I can’t find my way home.

  My version, “Findin’ My Way Home”, changes the lyrics to something I can get behind and sing from my heart:

Near the end and I just ain’t got the time
To be wasted cause I’m findin’ my way home.

Bumping The LoDown

What better way to show my appreciation than create a series of radio show bumpers for my teacher.

Scott Lo hosting the LoDown for DS106 this summer

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AudioAssignments36 to create a DS106 Radio Bumper

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HAPPY STUDENT improving her audio storytelling skills

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5 different LoDown bumpers for Scott to use freely on his radio show and blog posts

What is a bumper? It is a short recording that identifies the radio station with signature music or an expression that makes sure the listeners know what they are tuned into.

Lo DownThere’s no mistaking that you know where you are and where you’re tuned into with this set of bumpers.  I used as my foundation a single voice track that I recorded while in the grocery store parking lot with a new iPhone app, Recordium, that I downloaded yesterday at the recommendation of Scott on LoDown episode 12.  Then the real fun began …….

I’ve been experimenting lately with how a soundtrack can drastically change the mood of the media project I’m working with. A few months back I was creating a photo slideshow for a friend, and it was amazing how the flow of images, and our decision to add title text or not, was altered by the choice of music.  I’m able to illustrate that effect at some level with this set of bumpers.  The spoken audio remains the same, just new music underneath.

I had plans to really show this effect by adding a soundtrack that was silly or comedic. But sadly, couldn’t find an audio file in my stock list of jingles and stingers in GarageBand that fit the bill.  I’m still giggling though at finding the Medal Ceremony (LoDown3) and Broadcast News (LoDown 5) clips.  I hope Scott will be just as amused and want to use them for DS106 Audio Week. 😉 I’d highly recommend anyone who hasn’t worked with soundtracks to try something like this.  You gain a whole new understanding and appreciation for the emotional power of sound.

One last note: I’m sure most of us have run up against the powers that be and have had issues with YouTube or Facebook taking down our videos (or highjacking them by adding product advertisements – grrrrr)  because of Copyright Infringement.  My way of addressing this from the beginning is to use the Vimeo Music Store to locate tracks I can use legally without question. You can even create custom tracks that perfectly fit your videos.  It’s a great resource and there is a lot there. There are free creative commons, $1.99 personal use licenses, and $20+ commercial use licenses available.   I’ll test a tracks suitability and mood by having two windows open on my computer, one playing the slideshow the other playing the music file on Vimeo.  Then when I find something I like, I pay the $1.99 just like on iTunes, and download it. Check it out.

[Other Radio Bumper projects I’ve completed: Obruni Podcasts, Mashing for DS106 Radio)]

 

Mashing a DS106 Radio Bumper

Thanks to my fellow DS106 students who made sure they clicked on the “Allow Downloads” button in SoundCloud, I was able to mash this DS106 Radio bumper.  It’s short and sweet, just like this post. AudioAssignments36

Big kudos to my unsuspecting contributors….

Dylan Gott – Brooke Parker –  Kristen Lamb – Jennifer  – Rapt’nRent

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